He specifically avoids using the healing brush and works toward a much more artistic effect. The result looks more like a pencil sketch than a photograph.
Wednesday, February 03, 2010
More than one way to skin a cat
Last month I posted about restoration work on a portrait of opera singer Jenny Lind. Today I came across another graphic artist's approach to restoring her portrait. It's an interesting peek at how different two approaches can be. Robert C. McLaughlin's restoration is a composite of two different photographs including the one from the Library of Congress that I've been using.
He specifically avoids using the healing brush and works toward a much more artistic effect. The result looks more like a pencil sketch than a photograph.
He specifically avoids using the healing brush and works toward a much more artistic effect. The result looks more like a pencil sketch than a photograph.
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